Fun facts about my current residence.

Although she did not die in this house, I like to think it is she that I sometimes feel watching me as I paint. She also likes to hide things around “her” house that later show up in the strangest of places.


RENAUD D’AVÈNE DES MÉLOIZES, ANGÉLIQUE (baptized Angélique-Geneviève) (Péan), b. 11 Dec. 1722 at Quebec, daughter of Nicolas-Marie Renaud* d’Avène Des Méloizes and Angélique Chartier de Lotbinière; d. 1 Dec. 1792 at Blois, France.

Almost nothing is known about Angélique Renaud d’Avène Des Méloizes’ childhood and youth. A list of pupils attending the Ursuline boarding school between 1700 and 1739 includes her name; the institution’s annalist later made a note: “The famous Dame Péan, wife of the Chevalier de Livaudière [Michel-Jean-Hugues Péan]. She was remarkable for her beauty, her charms, and her wit.” The portraits of Angélique certainly give her an expression of confidence that makes her beautiful; the rather sharp nose suggests a strong will, as do her bright, piercing eyes and equally resolute chin.

On 3 Jan. 1746 Angélique married Michel-Jean-Hugues Péan, adjutant at Quebec. All the husband’s talents “lay in his wife’s charms,” the anonymous author of the “Mémoire du Canada” commented irreverently. Péan would soon, however, enjoy high rank in Quebec society, when he became the confidential agent of Intendant Bigot. The couple lived in the Upper Town, where “after the intendant’s house, the best one in town is M. Péan’s. . . . All the elegant people meet at his house, and here life is carried on after the fashion of Paris.” The hostess was young, engaging, witty, rather gentle and obliging; her conversation was lively and amusing. Contemporary accounts add that as mediator and protectress for her relatives and friends she was adroit, and that people unfailingly paid court to the two Péans.

Intendant Bigot’s arrival in Quebec in 1748 had another consequence for the Péans. Bigot was 45 at the time, and Angélique 25, Contemporary memoirs maintain that she became “the Pompadour” of the intendant, and that her complaisant husband deliberately accepted the situation since it offered him the advantage of amassing a fortune more quickly. Sumptuous banquets and gambling were held in high regard in the intendant’s circle. Mme Péan gambled with this high dignitary, and at the games fortunes changed hands. Governor Vaudreuil [Rigaud], the prudent Vaudreuil, gave in to the prevailing fashion; he “went to the trouble of holding . . . a faro game in his home,” according to Montcalm*, who in Guy Frégault*’s opinion, also belonged “to the grand Sultana’s court.” In one of his letters Montcalm himself mentioned “the ladies of the Péans’ circle with whom I am intimate . . . to the point that people believe that I have designs on Lélie [Angélique].”

After the capitulation of Montreal, Angélique accompanied Bigot and her husband to France, sailing on the Fanny in September 1760. There had already been gossip in France about the scandal of their relationship. Soon accusations were levelled against the triumvirate of Bigot, Péan, and Joseph-Michel Cadet, who were held responsible for the bad administration and loss of Canada. Angélique’s husband was arrested in November 1761 and kept in solitary confinement in the Bastille. Mme Péan nevertheless attempted to establish a clandestine correspondence with him, and even obtained permission from the minister, Choiseul, to see him; from March to June 1764 when he was released, she visited him 58 times.

The Péans then went to live at Orzain, near Blois, on property Péan had purchased upon arrival in France in 1758, and for a time they continued their worldly existence. Mme Péan, who was to lose her husband in 1782, devoted the last 20 years of her life to the impoverished, and especially to the Canadian families who had settled in Touraine. Her only daughter, Angélique-Renée-Françoise, married Louis-Michel de Marconnay on I Sept. 1769; they had no children. Mme Péan died on 1 Dec. 1792, at nearly 70 years of age.

Angélique Renaud d’Avène Des Méloizes, who was extravagantly admired by the highest officials in the colony, was clearly a formidable woman. Those who liked her did not dare to say much about her. There is no argument in her defence or strong praise in the surviving documents of the period. Only Sieur de Courville [Aumasson], the memorialist, expressed a desire that we look at the other side of the coin “and see that she had a great deal of merit, above all for her charitable temperament.” This controversial figure was made the heroine of William Kirby*’s famous novel, The golden dog (New York, 1877), in which fiction takes over from historical truth.

Juliette Rémillard

AD, Loir-et-Cher (Blois), État civil, Blois, 1er, déc. 1792. “Les archives de la famille Gradis et le Canada,” Claude de Bonnault, édit., ANQ Rapport, 1944–45, 273. Coll. des manuscrits de Lévis (Casgrain), VI, 115; VII, 219; IX, 105. Doreil, “Lettres” (A. Roy) ANQ Rapport, 1944–45, 158. “Mémoire du Canada,” ANQ Rapport, 1924–25, 117–18, 188–89. Burke. Les ursulines de Québec (1863–66), II, 176. H.-R. Casgrain, Guerre du Canada, 1756-1760; Montcalm et Lévis (2v., Québec, 1891; réimpr., Tours, France, 1899). Frégault, François Bigot. P.-G. Roy, La ville de Québec sous le Régime français (2v., Québec, 1930), II, 266. Ægidius Fauteux, “Le S. . . de C. . . enfin démasqué,” Cahiers des Dix, 5 (1940), 267–68. Juliette Rémillard, “Angélique Des Méloizes,” RHAF, XIX (1965–66), 513–34.

Hidden Within the Walls

“If walls could talk,” they say. But what about stairs? Have you ever wondered how many people have climbed a set of stairs? Staircases fascinate me and for my next project  I intend to do a series of staircase paintings. These are the stairs hidden behind our wall (Due to a need to run wire for smoke alarms, holes had to be cut so I took advantage of the opportunity and stuck the camera through the hole). This place would have been so beautiful in its day. I’ve lighten a couple of the photos to see the wallpaper and bannister better. Not sure of the age, but if I can believe the stories I’ve heard the second floor was added much later that the original first floor. Beautiful but kinda creepy too. Hopefully, I will have stirred up the ghosts and they will come out to say hello.

stairs1 stairs5stairs2

YES Art Expo.

show1 show2 show set upThe set up at the YES Art Expo in the incredible Théâtre St. James in Old Montréal.

The first public exhibition of my paintings occurred over the past weekend.

I’d like to pass on a huge thank you to all the YES Art Expo staff for this amazing opportunity!

There was so much talent gathered under one roof- including visual, audio, and even performance arts. It was a crazy three days of VIP receptions, an artist conference, followed by the presentation of my work to hundreds of art-lovers.   I met some great people, both visitors of the show and some amazing fellow artists. It was a fantastic way to start what I hope to be a long and fulfilling career!

Special thanks to my business mentor Coby, to the YES Art Expo coordinator Jennifer, to my conjoint Chris for his many hours of technical expertise (and driving), to my youngest daughter Sahsha for managing to fly in from Nova Scotia despite Air Canada’s best efforts to stop her, and my oldest daughter Brielle for driving all the way from Kitchener (she is clearly not as directionally challenged as her mother). Unfortunately, my BFF Carole could not escape from Nova Scotia to join us as planned due to old-man winter’s steady attack on the Maritimes this year.

Also thanks to my muse Moose Nicolle, and all the friends and family who support my artistic endeavours.

Looking forward to the next show!


 Théâtre St. James